A Three-Month Programme on Contemporary Urbanism: open to all disciplines. Apply before 01 November 2020
Starting in February 2021, this intensive course in contemporary urbanism takes the modern city as its subject and Rotterdam as its testing ground. It will explore the urban dynamics by bringing together different disciplines from historical research to artistic expression, using Rotterdam as a pars-pro-toto for cities all over the world.
Once unknown and misunderstood, the city of Rotterdam is now more popular than ever. Iconic buildings, bars and restaurants pop up all around town, making it an attractive destination for tourists, students and other visitors from all around the world. The population is growing, house prices are on the rise and the development of new urban districts is in full swing. In less than two decades the city has changed from a harsh and grim, yet poetic, place to a smooth and attractive city that is loved and today is even called hospitable and pleasant.
But no matter how charming the city presents itself, no matter how modern or popular it is, it owes - contrarily enough – a large part of its appeal to its sharp edges; its attraction lies not exactly in being able to offer what you are looking for, but in what it confronts you with unexpectedly: the surprises, the jagged fringes and the opportunities they bring. The city is a real city because it always offers more than what you asked for. It is the darker side that makes her more than a small town. The city is old, dirty and beautiful at the same time. That’s why we love her, why we want to nurture her.
Yet, at the same time, there are still many serious issues in this city that are problematic. Just like other world cities, Rotterdam has to come to terms with social inequality and spatial segregation, with drug-related crime and human trafficking, with pollution and environmental degradation. The city has been part of a global network since her origins and shares these issues with cities worldwide such as Hong Kong or Baltimore, Athens or Accra. Her problems are not unique, but can we devise unique strategies to solve them?
You can apply for this densely packed 12-week programme by sending your CV (max 2mb) and examples of previous work (max 8mb/5 pages) to firstname.lastname@example.org before 01 November 2020 (extended deadline)
The Dity Old Town programme fits within the 90 days period of validity of a tourist visa to the Netherlands. It is based on a five-day work week filled with workshops, lectures and field trips. The discounted regular participation fee for 2021 is 1200 Euro (no VAT payable). Applicants holding the nationality of one of the ‘Least Developed Countries’, ‘Other Low Income Countries’ and ‘Lower Middle Income Countries and Territories’ on the DAC list can participate for a reduced participation fee of 800 Euro (no VAT payable). Please see the DAC list attached here.
This course needs a minimum amount of 10 participants and has a maximum of 15 participants. Applicants will be informed in the first week of November 2020 whether they have been accepted to the programme.
During this 12-week course, we will dive into the inescapable contradictions and complexities of the contemporary city. Looking beyond the present-day popularity of Rotterdam, we aim to see the city as she really is and as we can imagine her becoming. We will use research, stories and strategies. We will use all possible means contemporary urbanism provides and act! Participants in the programme will be offered weekly lectures and excursions, a series of workshops focusing on specific disciplines and methods, tutoring by a diverse team of specialists, designers and researchers, the chance to work together in a community of learning and the opportunity to deepen their knowledge and develop their ideas.
WK 1-2 GENERAL INTRODUCTION (01-12 FEB 2021)
During the first two weeks, participants will be introduced to the School and to the city of Rotterdam. Through expeditions and lectures, we will look at the city from various perspectives and become familiar with different disciplines and crafts. You will explore the physical but also the invisible realities of the urban landscape. You will be introduced to the main tutors of the School, whose diverse backgrounds, works, professional experience and opinions will sharpen your own professional position and help you navigate the rest of the programme.
WK 3-8 THEMATIC RESEARCH (15 FEB-26 MAR 2021)
Three themes are pre-eminent among the characteristics of Rotterdam and are linked to its historic origins as an industrial city and a port, a spider within an international web. These three themes form the backbone of the course, also in their mutual relations.
WK 3-4 INEQUALITY IN A SUPER DIVERSE CITY (15 - 26 FEB 2021)
150 years ago, Rotterdam began to attract people from all over the Netherlands to work in the port; nowadays migrants come from all over the world. The city has become super diverse in terms of cultures and ethnicities. A constant is that the differences in income, housing situation and development opportunities between the various groups in the city are large. The spatial spread across the city is also beginning to show signs of segregation. How can we understand this reality and define strategies to stop this tendency? - This workshop is also offered as a stand-alone course. More info here
WK5-6 CRIME A PART OF A GLOBAL NETWORK (03-10 MAR 2021)
In the recent drug-related crime wave in the Netherlands, the port of Rotterdam plays a significant role as the import and export harbour of drugs. In industrial areas on the periphery of the city, garages are combined with prostitution and human trafficking. These areas are on the outskirts of the city or even far beyond, invisible to the average city dweller. We will be mapping and visualizing this aspect of Rotterdam to make it part of the narrative of the city. - This workshop is also offered as a stand-alone course. More info here.
WK 7-8 CITIZENS OF THE ANTHROPOCENE (15 - 26 MAR 2021)
Many small-scale spatial initiatives in Rotterdam are taking steps towards a resilient and CO2 neutral city. These steps differ from technological solutions to the promotion of changes in social behaviour. Other parties simply deny climate change or retreat into post-apocalyptic visions. How is Rotterdam still stubbornly depending on fossil energy, in daily life as well as in its economy? What positions can we distil from the city’s policies, existing initiatives and from our own ideas? How can we formulate a fertile approach to changing the fossil economy? - This workshop is also offered as a stand-alone course. More info here
WK9 TAKE POSITION (29 MAR - 02 APR 2021)
Time to organise your thoughts and reflect on the ideas and stories that emerged during the previous weeks. Which conflicts did you discovered? What issue or problem do you want to engage with? What position do you want to take as an urban professional? And how do you see the future of the city? Through various exercises and conversations with critical minds, you will both look back and ahead.
WK10 - 11 STRATEGIZE (05 - 16 APR 2021)
During these two weeks, you will take the step from research findings to strategy and make plans in order to reach your ultimate goal. Use the means you need for the goal you have in mind: you can write an article, make a short movie, design an object or a campaign, plan a landscape or plan a revolution. As long as it is in line with your position and puts your research results to the best use.
WK 12 PRESENT (19 - 23 APR 2021)
Time to show your work to the world! The Independent School will organise a final collective event around the opening of the exhibition and invite the leaders of the City to see what has been produced and to react to it. We’ll show Rotterdam what we’ve got and finish this intensive programme with a bang!
The course will use the Independent School for the City’s methodological triad of Research, Stories and Strategies.
Through lectures by the best experts, precisely planned excursions through Rotterdam and mapping exercises, we will uncover the invisible layers of the city, look at sites through various lenses and collect the data needed to take a position vis-à-vis the city’s challenges. We will look at the city as a palimpsest of different systems, ideas, infrastructures, policies and ideologies. Each time, we 'll consider Rotterdam as a means to get a close-up view of global trends and networks.
To share our position on the city with others, in order to turn it into action, we need to construct a strong narrative. That is the subject of the second week dedicated to each theme. Lectures and workshops will be held on the different formats and techniques, the different languages and methods with which a story can be told. From the written manifesto to the exhibition, the political campaign to the utopian plan, the movie to the historical essay. We will discover how a narrative approach not only carries the message we want to share but will shape and influence it too. Through the stories we tell, we start to change the reality of our cities.
The last part of the programme is dedicated to translating insights and stories into strategies and concrete action. We take a broad view of what constitutes action. A precisely written and timed manifesto could have as much influence as a government funded masterplan; a tactical policy change can have as much impact on the shape of a street as an iconic piece of architecture. We will choose a number of sites in Rotterdam and subject these to our transformational strategies and to the tactical interventions that they produce. The programme will conclude with an exhibition and a conversations with the officials, planners and politicians who have been entrusted with Rotterdam’s future.
Tutors and lecturers
Tutors in this course include: Crimson Historians & Urbanists (Ewout Dorman, Mike Emmerik, Annuska Pronkhorst, Michelle Provoost, Simone Rots, Wouter Vanstiphout, Cassandra Wilkins), ZUS (Elma van Boxel and Kristian Koreman), Pro Arts Design (Edith Gruson & Gerard Hadders), De Dépendance (Thijs Barendse & Sereh Mandias), Amateur Cities (Cristina Ampatzidou and Ania Molenda), Failed Architecture (Rene Boer & Mark Minkjan) Jord den Hollander, Herman Kossmann, Arnold Reijndorp, Dirk Sijmons, and many more.